Geisha are one of the most iconic yet secretive symbols of Japanese culture. With 400 years of mystery and allure under their obi, witnessing the gorgeous Geisha draped in their dazzling kimonos whilst performing ancient arts of Japanese entertainment is a exquisitely extraordinary experience you will never forget.
But how do you get to see a real Geisha or Maiko in Kyoto? Let me count the ways…
With their porcelain painted faces, scarlet red lips and exquisite Kimono, Geisha girls are the ultimate iconic symbol of Japans devotion to tradition, elegance and etiquette.
Referred to as the “Flower and Willow World”, this almost secret society is one of the oldest yet most mysterious professions in Japan. Although there is still much about them we might never learn, here are 50 amazing facts on Geisha culture we think everybody ought to know.
Home to over 1600 Buddhist temples, impeccable gardens, traditional wooden houses, and the mysterious world of the Maiko and Geisha, Kyoto is the center of ancient Japanese culture and history. In April 2016 I visited esteemed Aya Maiko Makeover Studio in the heart of Gion Quarter who offered Haute Culture Fashion one the most realistic, educational and exquisite henshin experiences in all of Japan.
Ta Phin is a Red Dao hill tribe village near the Chinese Vietnam boarder. Just a short 3 hour hike from the former French colonial town of Sapa, Ta Phin has become a popular tourist destination for it’s epic landscapes and ethnic minority encounters. It is impossible to walk by the village without seeing a abundance of scarlet clad sewers eagerly stitching their souvenirs to sell to passers by. January 2016 would be my 5th visit to Sapa from my home in Hanoi, only this time I would be taking the traditional textile techniques into my own hands by enrolling on a 1 day Red Dao ethnic embroidery class.
Lao Lu people have many different names and live in a range of countries spanning South East Asia’s boarders, in Vietnam this decorative and resourceful Buddhist group reside in isolated and introverted villages found deep in the low lands near the mountains of Lai Chau province. Miles away from the nearest roads visiting the Lao Lu feels like you have stepped into a National Geographic postcard. Women can be seen weaving and wearing their traditional threads on a daily basis, smoke billows from chimneys on top of wooden stilt houses, and fields of corn crops blow lightly in the breeze against a back drop of forest clad highlands.
Kalinga is both a tribal community and a land locked province in the heart of the Cordillera Region, North Luzon, the Philippines. Until recently Kalinga people could be identified from a distance by their distinctive body art. Immersed in the magnificent mountains and cut off from modern society, Kalinga people lived modest but passionate lives in a world where your skin communicated your social status to the local community.
High up on the contours of the colossal Cordillera mountains, North Luzon, Philippines, live the impecunious indigenous Ifugao people. Famed for their 2000 year old rice terraces, their resistance to Spanish colonisation and their outlandish inland outfits, Ifugao culture, visual identity and livelihood appears to be on the precipice of extinction.
In February 2016 I was accompanied to Banaue on a whirlwind tour with the Philippines Department of Tourism. There I was able to discuss life’s hardships with a few local ladies busking for photos on a viewpoint, and learn of the fading Animist practices rapidly being replaced by Christianity from a self taught Shaman.
Bent over double, the frail blind women shuffled over to the bench outside the gift shop before waving her hands underneath in search of something. “I’m sorry”, the Ifugao lady next to me apologized, “Why?” I asked. Right then the crippled blind member of their company pulled up her skirt and pee’d into the 2 liter 7up bottle she had been seeking moments before. “She is blind and deaf” She proclaimed to me and the other tourists whilst holding her steady. “She has no family. We all look after each other.”
Scattered in stilt houses surrounding scenic Lake Sebu live the textile tribal people known as the Tboli. One of the Philippines 80+ indiginous ethnic linguistic groups, the Tboli people live a simple life balancing modernization with their traditional culture of farming, fishing and craftsmanship.
Labeled as the the Dream Weavers the Tboli are famous for diligently transforming the natural Abaca plant into a magnificent mystic material known as the T’nalak. These distinctive sacred symmetrical designs are inspired directly from the visions in their dreams and taught in T’boli schools of living tradition. More fascinating than the process of the T’nalak, is that the Tboli women’s distinctively adorned cultural dress was only implemented a mere 60 years ago, when Christian missionaries brought new materials and skills into the region.
Within moments of researching Filippino tribes I was awe struck by the resplendent regalia of the Tboli people. Their elaborate hair combs, intricate jewelry, colourful weaving and mysterious motifs. I wanted to learn everything about them and felt filled with excitement of the prospect of connecting with new ethnicities after Vietnam. This was to be short lived reaction when moments after my discovery a well respected travel professional (and good friend) advised me that it would be near suicide to ever see the Tboli in person. Since the 1950s parts of Mindanao Island have seen a brutal civil war between Christian and Muslim freedom fighters, with off sprung terrorist groups regularly kidnapping western tourists for ransom.
Do you have any idea how frustrating it is to be told that you can’t go somewhere and research these amazing people because of terrorism? It sucks. So I let it go, thinking I would have to be bonkers to ignore his and a million other websites advice.
Fast track 1 month later and I’m sat with the general secretary of the Department of Tourism in Manila, discussing where and whom to visit on my tour of the Philippines. “You have to see the Tboli!” he said, “I really really really want to see the Tboli, their textiles look phenomenal”, “You have to go and see them”, “But is it safe? (mum stop reading), I read that there was a rebel shoot out on Lake Sebu only a few months ago??”, “Yes it’s safe, that was a one off incident. I will guarantee your safety, you will be with our people the whole time. You must go and see the Tboli”.
Meeting the Tboli
A short 1 hour flight from Zamboanga city after meeting the Yakan tribe and bonkers Donna was greeted by the regional director of tourism Nelly Dillera at General Santos airport. We took a 4×4 through the pineapple fields and up the the mountainous terrain to the pretty and picturesque Lake Sebu. As I stepped onto the stone driveway a tribal fusion of brass, leather and wooden instruments spilled out of the long house to greet my arrival.
Meeting the Tboli’s for the first time was a overwhelming sensory experience. Smiling men and women were dressed in full regalia, the walls were dripping with decorations, fabrics and jewelry, and the music engulfed me like the warmest welcome i’ve ever received. Before investigating the tribal textile techniques and traditional dress I was treated to a charming performance of Tboli rituals, music and dance.
Tboli Traditional Dress
Remarkably Tboli tribal visual identity was only created as we know it today 60 or so years ago, when Christian missionaries arrived in the area bringing with them mother of pearl beads, cotton fabrics and threads. Before this date Tboli women only wore simple silhouettes made from natural woven abaca fibre with no resounding design features.
Tboli traditional dress is the most impressive tribal ensemble I have seen to date. Traditional colours are jet black, scarlet red, pearl white, canary yellow and tropical green. Outfits are comprised of a hand woven sarong skirt tied into a knot at the front, folded over at the waist and secured in place with a wide beaded belt fringed with brass bells. Long sleeved v-neck blouses have a zip opening on both side seams and are decorated with embroidery, cross stitch, applique ribbons and sequins or beads. The jewel of the crown is the famous hand carved wooden head dress.
Land of the Dream Weavers
The Tnalak is the traditional woven textile of the Tboli people. Mystical symmetrical patterns inspired by their dreams are created from memory and transferred in to fabric using the Ikat method. Ikat is a time consuming and tedious technique only used by the most patient artisans. Yarns covered in bees wax are tightly wrapped around the warp threads in patterns before dying and then being placed on the loom. During the dyeing process, the tied parts are resistant to the dye, when the binds are cut they will retain the natural colour of the original fibre underneath.
The Abaca plant is native to the Philippines and is used as the main fibre in Tnalak fabric. Cousin to the banana plant, Abaca trucks can grow up to 22ft in just 8 months. Once they are cut down the trunk is halved and stripped into 1 inch ribbons before shredding with a knife into individual lengths of fibre suitable for weaving. Natural dyes from leaves and roots grown locally are boiled with the Abaca to create the traditional Tnalak colours of black, red and beige.
The Tboli tribe are a mix of Animist and Christian faith. They believe that non-human entities such as animals, plants, and mountains etc possess a spiritual essence, along side worshiping Jesus Christ. The Abaca plant itself is known as the spirit god ‘Fu Dalu’. The making of Tnalak fabric is seen a very special gift from nature and the spirit world, therefore it is forbidden to step over or walk on Tnalak fabric at any point. It was brought to my attention that a fashion designer recently bought bolts of Tnalak fabric and manufactured shoes with it. This was seen as sacrilege to the Tboli people.
During my visit to the Tboli weaving centre Manlikika Bayan, it was evident that they were still mourning the loss of their leader, grandmother and National Living Treasure Awardee Mrs Lang Dulay, who’s memorial grave lays opposite the entrance. Lang Dulay was known nationwide as the originator and master weaver of Tnalak. Weaving since the age of 12, Lang Dulay translated over 100 designs from her dreams and made it her personal mission to instill her passion and vision for Tboli culture on her family, by taking her 18 grandchildren and great grandchildren out of school to train them in the making of Tnalak. Tourists from all over the Philippines would flock to see and buy Tnalak from the living legend and her aspiring proteges, but last year at the age of 91 she passed away from a stroke leaving behind a financially dependent family of weavers with little other employability skills. The family are now desperately trying to find the balance between economic stability and continuing their cultural heritage now that Lang Dulay the master dreamweaver has gone.
“The lives of T’boli women are meaningless if they don’t know how to weave T’nalak,” Lang Dulay
For me the Tboli are certainly the most diversely skilled textile artisans I have encountered on my travels. I am indeed in awe of their traditional dress and both bewildered and impressed that they only created such an inspiring visual identity a mere 60 years ago.
The fact that so many tourists are afraid to go there is a real detriment and threat to their economic and cultural survival. The T’nalak is reknown as the cultural emblem of the Tboli, but with out visitors could the weavers dreams and traditions be over as quick as it started? It is my hope that preservation of T’boli culture and craftsmanship is not only the regional pride of South Cotabato and Mindanao Island, but for the whole of the Philippines.
I am so glad I went to meet the Tboli tribe after all the drama surrounding their circumstances. Communities living on Lake Sebu live uncomplicated lives detached from the violence known in other provinces of Mindanao Island. One woman told me that the robbery at a local factory a few months previously (which resulted in a shoot out between the authorities and culprits) was nothing to do with the indiginous people of the area, but this one off event had dramatically effected tourism and thus the livelihoods of people living there.
I did not feel unsafe at any point on my visit to Lake Sebu. I drove around in blacked out jeep and was accompanied by 2 members from the department of tourism at all times. Would I go there as a solo female western backpacker?? Probably not, but I think hiring a tour guide and a vehicle for a few days is a feasible, sensible and safe solution for visiting the area and meeting the Tboli Tribe.
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Are you a weaver? Have you visited the Tboli tribe before or want to go? Do you know any other tribal groups in the Philippines? Please share your experiences, ideas and suggestions in the comments box below.
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Due to recent civil conflict in the region it is advised that all tourists contact the Department of Tourism in advance to seek travel advice and recommendations. To visit the Tboli in Lake Sebu, please contact the Regional Director Nelly Dillera at firstname.lastname@example.org
The Yakan are a indigenous Muslim tribe native to the tropical island of Basilian. Located in the Sulu Archipelago in the most southern region of the Philippines, Yakan people are recognised for their remarkable technicolor geometric weaves and the distinctive face decorations used in their traditional ceremonies. The Yakan are kind and loving people that embody a non-materialistic culture and live in close-knit communities.
Back in the day Yakan women traditionally made textiles for their cultural dress (know as the Semmek), accessories and interiors from abaca, pineapple and bamboo fibers grown on the island. But in the 1970s Yakan people relocated from Basilian to Mindanao Island after political unrest and armed conflicts drove them away from their homeland. Since moving to Mindanao the natural textile designs have been replaced with vivid colored cottons resulting in a much more audacious aesthetic. Today Yakan people live peacefully in settlements predominately in Zamboanga City and earn their living from fishing, farming coconut and rubber, weaving and carpentry.
The decision to come to the Philippines was made when I realised that there was a limited amount of resources available online about Filipino tribes but substantial evidence that they still existed. At that point I contacted the Department of Tourism directly with a proposal to work together to bring these fascinating tribal cultures and their traditions to light. Mindanao Island especially appealed to me because so few western tourists travel there, let alone visit tribal settlements. Yakan culture particularly called to me due to their beautiful face decorations and bold geometric weaves. But the decision to visit Mindanao was not made lightly, with many official government websites declaring the island unsafe for tourists. I had to seek full reassurance for the department of tourism that my trip would be fully escorted and organised every day.
Yakan Wears (Semmek)
- Trousers – Yakan Sawal, striped trousers with zig zag and diamond repeat patterns made from bamboo fibers.
- Mens button up shirt – Badju Yakan designed to match the trousers.
- Head scarf – Yakan Pis, geometic intricate weave worn to cover the hair on a daily basis.
- Apron– Seputangan Teed has many different designs but is the most time consuming and decorative weave of the Semmek.
- Sash – Sakan Pinalantupan is made from a mix of Pineapple and bamboo fibers.
- Brides button up jacket – Pagal Bato is made from satin or cotton cloth and sometimes mixed with lurex threads.
- Brass buttons – Batawi, hand made and worn on the women’s jacket.
Face decoration – Tanyak Tanyak is a face painting custom is unique to Yakan tribal culture. Worn only for wedding ceremonies; circles, spots and diamond patterns are printed on the skin using bamboo implements and a thick mixture of white flour and water. The patterns are said to have no symbolic meaning but have been used for centuries as a form of cosmetic decoration long before commercial products were accessible.
In February 2016 I had the great honor of being invited to a Yakan village in Zamboagna city to watch a reenactment of a tribal wedding ceremony. Here you can see the traditional Semmek worn by both the bride and groom, live music, tribal war dance and the humorous customs of the Yakan people.
Yakan weaving uses bright, bold and often contrasting colours in big symmetrical patterns. Inspiration for designs comes from island living and Islamic sacred geometry.
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The Yakan people from the the village were so kind, conscientious and creative during my visit. The settlement had such spirit and the weavers were the pride of community. Speaking with store owner Angelita Pichay Ilul of Angie’s Yakan Cloth alongside the other female patrons of the tribe, I was able to interpret the immeasurable emphasis of how important weaving was to Yakan culture and their livelihood. With farming on the decline, climate change on the up and jobs in short supply, these women wrap on their back straps day in and day out weaving their wear’s to keep a roof over their head, traditions alive and a fractionalised community united. It is easy to see why their designs are seductive to both traditional and trend setting consumers, when the never ending variety of weaves are available in a wide range of products from backpacks to table runners. I think there’s room for a little Yakan spirit in everybody’s life’s.
Are you a weaver? Have you visited the Yakan tribe before or want to go? Do you know any other tribal groups in the Philippines? Please share your experiences, ideas and suggestions in the comments box below.
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To buy Yakan Cloth please contact Angie’s Yakan Cloth on Facebook to place a order.
Due to recent civil conflict in the region it is advised that all tourists contact the Department of Tourism in advance to seek travel advice and recommendations. To book a to visit the Yakan Village in Zamboanga City please contact the regional director Mary Bugante at email@example.com
Hi everyone I would like to introduce My, a Black Hmong girl living at ETHOS – Spirit of the Community with her mum, and Ker, a tour guide at Ethos specialising in hemp and indigo cultivation. These two lovely ladies will be our teachers today, explaining and demonstrating how Hmong people still grow, weave and dye hemp fabric and indigo for their clothes.
The aim of these video demonstrations is to create a understanding of Hmong heritage, traceability and to encourage the future production of Hmong organic fabrics and fashion.